Warsaw Autumn 1971, Hubert Hilscher, 26"x38"
Warsaw Autumn 1974, Waldemar Swierzy, 26"x38"
Warsaw Autumn 1974, Jan Mlodozeniec, 26"x38"I seem to remember this poster hanging in our house when I was a kid.
Warsaw Autumn 1971, Hubert Hilscher, 26"x38"
Warsaw Autumn 1974, Waldemar Swierzy, 26"x38"
Warsaw Autumn 1974, Jan Mlodozeniec, 26"x38"
A reader of my book, recently sent me these images of a rocket powered shopping cart. He accurately identified it as B/4 On/As Personal Property, B/8 Structurally Modified.
Anyway, to get back to the main point, I think my latest winter bike has resolved the problems I had with the Sports. I stripped down an old ten speed Raleigh Sprite (probably made around 1976) and put a coaster brake on it. This is basically as good as it gets as far as stopping, plus there are no cables that can snap or get in the way. I was going to put a front hand brake on, but so far it has seemed unnecessary. The chain is on the smaller front cog so the gearing is about right, for riding through heavy snow or into a head wind. It is a little frustrating to not be able to go as fast as I am used to, but this is probably for the best given the winter conditions. I also use the largest BMX pedals I can find so that my big winter boots have plenty of traction. I really like the frame geometry of the Raleighs of the 60's and 70's, so I'm glad to be able to give this bike a second a second life. Hoepfully the rust won't be too terrible and I can use it again next winter.
The classic Raleigh head badge
The drive down to Pittsburgh was somewhat harrowing, we encountered pretty heavy snow between Buffalo and Erie PA.
J-Con in front of the Barry McGee installation. I like McGee's work, I was really blown away by it the first time I encountered it 10 years ago. Even though I felt like I had seen all this before, it was done well.
The gallery guide described David Shrigley's work as "...Almost without exception, his works are hilarious, cynical, and sharply intelligent..." I don't generally agree with that assessment of Shrigley's stuff, but I have to say this piece got me.
Our ticket into the International got us into the Natural history part of the museum as well. We dashed through the dinosaur exhibit, which was pretty incredible, but I was most interested in seeing the display of Miocene and Pleistocene mammals. I've been thinking and reading a lot about this period lately, I'll explain why in another post.
The installation, Silver Clouds (Created for a 1966 exhibition at the Leo Castelli Gallery) was my favorite at the Warhol. Fans blow Mylar balloons endlessly around the room. I would have spent an hour lying on the floor in there if I had the time. Strangely, I ran into Buffalonians (and all around great people) Hal and Elizabeth Leader, in the Warhol Museum. Leader All-Surface Printing has printed and mounted all of the pieces for the Stray Shopping Cart Project gallery shows.
This is me in the permanent Yayoi Kusama's Infinity Dots Mirrored Room installation at the Mattress Factory. They say not to take pictures, but please, who's not going to take a picture in that space! If I were the kind of artist that did work about art (if you know what I mean), I would do a series of flash photographs of James Turrell installations, the gallery text practically writes itself! It's probably already been done.






View of the Ball Drop and Fireworks from the second floor of the Western New York Book Arts Collaborative building.
It was very cold on Wednesday night (around 10 degrees). After the ball drop, people started heading to their cars as the fireworks were still going off.